Showing posts with label new bands. Show all posts
Showing posts with label new bands. Show all posts

Sunday, May 28, 2017

You Are Me, I Am You

"There are two means of refuge from the miseries of life: music and cats." — Albert Schweitzer
There are those who are born into great talent, and who excel and achieve making it to the "big time" with nary an effort. They're just made to be musicians and to share what they do with a world full of eager, listening ears. And through the ages there have been a great many brilliant musical minds who have graced us with their notes and vibes and riffs—beautiful melodies and driving rhythms. The soulful Janis Joplin comes to mind. The genius of Jimi Hendrix is certainly among them. And there are countless others; Michael Jackson, Prince, Elvis Presley, Willie Nelson, Johnny Cash, Chris Cornell, and Kurt Cobain.

There really is not enough room to include everyone.

To that end what I always have said about music in general, whether the music comes from greats or just a guy who decided to start a small band in his garage—to a guy like me who just does it for fun—it does not really matter in the end what the style is. People gravitate to all kinds of sounds, to all kinds of rhythms, to all kinds of melodies.

I do not put myself in any league with any of these greats to be sure. I only illustrate that even among some of the greats there are those who might argue against the talent. No matter.

Musicians, and people in general, do what they do, listen to what they like, and really the brilliance and greatness of the world we live in today is that we get to hear it all. The good, the bad, the great, and the phenomenal.

And we get to share it as well. All of it. The best of it and the worst of it.

Interestingly enough to me is that a site like Bandcamp and Jango tend to be great places for one to share and "try things out." My best received songs have actually been songs I thought would never get any attention at all.

Here is my latest attempt. I hope you like it. It's not great. It's not intended to be. It's just me, the hobby I do, and as I said, I get to share it and let you decide whether it is a thumbs up or a thumbs down.

You Are Me, I Am You by Jim Bauer

YOU ARE ME, I AM YOU
by Jim Bauer
Released May 26, 2017
https://jimbauer.bandcamp.com/track/you-are-me-i-am-you
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CAPO II
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Verse1:
Am                Dm                                                Am
Sittin' on the front porch, and I'm talking to the old man
                            F                                  G                                  Am
He hands me the torch, says walk in my shoes and you'll be all right
                       Dm                                                Am
Said he'd had dark days, and you're gonna have them too
                                 F                              G                                     Am
Take the bull by the horns, says just be a man, do what you gotta do
               Dm                              Am
He was a wise man, I could see was true
                               F                  G                  Am
He said I'm you're dad, you are me, and I am you

Bridge:
F           G          Dm Am   F                        G                    Dm    Am   F
Feeling now that I   re — gret, the days we lost what we might have said

Chorus:
C                G    Dm Am               C    C/B  G
But there's on — ly now, we can make it   up
C                 G    Dm Am                 C     C/B  G
There's still time to fill, to fill this emp — ty   cup
C        G   Dm Am                    C   C/B G
Yesterday is gone, no sense in looking back
C          G    Dm Am              C    C/B  G
Oh, the time is now, to get it back on   track

Verse2:
Am                Dm                                                Am
Sittin' on the front porch, and I'm talking to the old man
                         F                      G                              Am
Says what I've done, no I ain't proud, but it's who I am
                     F                            Am
Said dad it's okay, got me some demons too
                        F                 G                  Am
Said I'm your son, you are me, and I am you
                   F                     G                        Am
You're my dad, I'm you're son, and we are one

BRIDGE AND CHORUSES REPEAT

 

Monday, September 5, 2016

Kurt Vile: Performer or Artist?

Of course, I have written about Kurt Vile's song, Pretty Pimpin' before. I did so because I like the vibe of it, and of course there's that very catchy finger picking pattern which embodies the entire song.

And it is difficult to play. Or it can be.

From time to time I do a cover here and there outside of playing around with my own music. And this song has given me a bit of trouble—although I haven't spent a lot of time trying to practice it. In any event, most of the time when I do a cover I try to put my own slant on it anyway. I think that's the creative side of me. Or at least that's what I like to try to tell myself.

Perhaps it's just a guise for the fact that I am not all that great of a guitar player. Or if I like to tease myself I can always just simply say I'm like Jimi Hendrix who was known as an improvisational guitar player. That is, Jimi Hendrix never played his own music the same way twice. When he performed one of his songs he improvised. Of course he was still in keeping with the basic structure and nature of whatever song he was playing. But if you listened to three performances of say, All Along The Watchtower back to back against the studio recording, to the trained ear (and perhaps even to the untrained ear) you'd notice very subtle but notable differences in how each of the signature riffs and basis melodies are played.

When I think of Kurt Vile, who is an amazing songwriter by the way, I am always reminded of the pure essence of what makes indie music so great. It is always about the trueness of the music, and the raw, low-fi nature of it all. If you want perfection, which is really just computer generated perfection these days by the way, all you have to do is turn on your radio and you'll find plenty of that to go around. Indie music strives for something else, and quite frankly what the result of that is may not be perfection as it is commonly defined. But it is perfection nonetheless in and of itself.

The reason I bring this up is because of that very song which so captured my attention and made me a fan of the music of Kurt Vile, and a YouTube video of a live performance of this song which did not seem to go all too well for him. I've seen other "live" videos of performances of this song, but few of which appear to be, well, let's just go ahead and say it.

Live.

There is one that stands out for me which he did for a KEXP Live Event which is clearly played live with his backing band. Perhaps by the time he did this performance he had been more practiced on the song. It's a great performance by the way, and of this song probably one of the best live performances of it that I have seen.

Flawless?

Nope. There are noticeable misses and pauses when it comes to Kurt's parts. But as I said before, perfection is something achieved in the studio. It's not necessarily the heart of indie music, and when it comes to performances I much prefer to hear subtle differences in the live version of a song than total perfection. It makes that performance unique and special in its own right. And it also does something else for me and for the avid listener of indie music.

It makes the performer real.

Kurt Vile has said in interviews that he wants his music to sound like a guy who is sitting at home on his couch just playing around on his guitar. And when you think of great performances that is exactly what you get from it.

Remember that amazing performance by Aaron Lewis doing the Pearl Jam song, Black? It's as raw as can be, certainly perfection, but not perfect. What Aaron Lewis did with this song was to make it his own, and seems most of the time I hear this song played on the radio it happens to be his version which gets played the most.

There's a reason for this.

So, the Kurt Vile performance of Pretty Pimpin' on YouTube he did for 909 Studio is tough for some to swallow if you read through some of the comments. The timing is off, the singing is off, and of course he more than misses a couple of changes throughout the song. The word struggling certainly comes to mind of this performance.

But, does that matter when all is said and done? I don't think so because of exactly what I said earlier about perfection, and when you consider that Kurt Vile is an artist before he is a performer, and when it comes to indie music I think that's all you really need to worry about being.

Let's be real in talking about music in general, shall we? You can think back to great songwriters like Neil Young or Bob Dylan for example. Neil could barely sing if I am being real here, but he wrote great songs that not only were easy to listen to even if Young was often times singing off key, but that one could identify with on a level entirely separate from what was heard on the radio.

You felt like Neil was sitting right in your own living room, perhaps on your couch, just doing his thing, playing his music...

For you. Just for you.

A live performance by Neil Young to this day captures scores of fans to rush to buy tickets, and he can still fill an auditorium despite his lack of perfection in a performance. Because when you go to see Neil Young perform what you get from it is the distinct feeling that no one else is around you in the concert hall. It's just you, perhaps a couple of friends, and Neil Young. You feel like the performance is a personal one, tailor made just for you. And that's what music should be. That's what performing live should be. Raw. Imperfect. But yet, perfect.

And when it comes to anything creative, it is easy to be a critic. It is easy to find fault in whatever you can find. And people do. People often do. I don't take away the same thoughts on any performance, and I spend a lot of time listening to other indie bands, and as well, some of the very real and raw talent that exists in the underground music world that largely exists these days on places like YouTube.

There are covers galore, and most of them while not perfect, are absolutely amazing things to listen to despite any lack of perfection in the performance.

Regarding the performance of Kurt Vile's Pretty Pimpin' I also wonder when he did this performance, how many times had be actually played it live before?

I said before that I also write my own music. But I have never played any of them live. And even after I write them and record them, I almost never play them again with some exception. I have played Pink Flamingoes many times. I have played 102 Idle Stones a few times, but not necessarily ever in their entirety. Could I play any of my songs live? Sure. If I practiced them for the intent to play live I could.

But again when it comes to any indie music, when it comes to any indie artist, let's keep that word in mind as we listen and enjoy the art. Artist. Great songs are created not out of entirely their performance, but in their creation. And when it comes to music in general, there is also that thought that making music and songs is simply good fun. In the case of indie music in general, the music is for the artist who wants to create and share, but it's not necessarily for the love of fame or money. It's not pop music which is frankly generic and churned out to act like an ATM machine for the writers, singers, and music executives that put it out. Taylor Swift is nice. So is Maroon 5. But when you listen to songs from these artists it's not as special or as unique as what you get from indie artists like Kurt Vile. Like Belle and Sebastian. Like MGMT. It's not the same kind of vibe in any live performance as you got when you went to a Neil Young concert, or went to sit down and listen to Aaron Lewis play Black. And it's not the same vibe as those who sat down to listen to Kurt Vile struggle through his own song Pretty Pimpin' during the 909 Studio event.

Did he have fun? I think he did. Is Kurt Vile having fun in his career as a musician? I think he is. Just like I had fun putting together my own Pink Flamingoes album or releasing my current single, All You Are. Or the fun I had recording my own version of a Peter Gabriel song Sledgehammer which I also did a little video for.

Personally I am happy that we have anything from Kurt Vile out there for us to enjoy. And again, while I have never performed live, nor have I ever jammed with a backing band, if I could do it, Kurt Vile would be an interesting guy to sit down with and talk music, and maybe even do a collaboration with.

At the end of the day I don't care whether or not Kurt Vile is a perfect performer. He's as real as anyone can be. He's true to himself and his music. He's got the guts to go out there and play it, and I frankly don't think he cares if it is perfect. It's his. It's genuine. It's not spoon fed computer generated garbage. It's raw. It is, without getting overly redundant here, the real deal pure and simple. It's music the way it was intended to be.

Kurt Vile may not be a perfect performer. But there is no denying he is an artist.

Lyrics of All You Are by Jim Bauer

All You Are
Words and music by: Jim Bauer
Recorded: August 2016
Released: August 2016
Album: Released as a single







Lyrics:

           All that you are
           All that you fear inside
           Lurks in a place you can't hide

           All that you bare
           Burdens of sorrow you yield
           There's nothing to touch that is real

           Hold onto your life

           And there'll be tears to fall
           Like you've lost an old friend
           Wait for the pain to fade away
           If you fall, this won't be the end
           All you are is what you are
           There is nothing I'm to fear
           If I don't run, if I stand
           I won't fade away

           All that you are
           All that you wanted to be
           Lurks in a place you can't see

           All that you are
           The burdens of sorrow you yield
           Nothing to touch that is real

           Hold onto your life

           And there'll be tears to fall
           Like you've lost an old friend
           Wait for the pain to fade away
           If you fall, this won't be the end
           All you are is what you are
           There is nothing I'm to fear
           If I don't run, if I stand
           I won't fade away (x2 to fade out)

Stream the album "Pink Flamingoes" by Jim Bauer (Apple iTunes Music)

Official Music Video, "All You Are" on YouTube:



Jim Bauer does a cover of the 1980's hit song by Peter Gabriel, "Sledgehammer." Recorded August 2016.


"All You Are" by Jim Bauer available at the following music outlets: iTunes, Apple Music, Spotify, Amazon Music, Google Play, Deezer, Groove, Rhapsody, eMusic, Simfy Africa, iHeartRadio, MediaNet, VerveLife, Tidal, Gracenote, Shazam, 7Digital, Juke, Slacker, Guvera, KKBox, Akazoo, Anghami, Spinlet, Neurotic Media, Yandex, Target Music, ClaroMusica, Zvooq, Saavn, 8tracks, NMusic, Q.Sic, Cur, Musicload, and Kuack




Sunday, December 6, 2015

Kurt Vile's Pretty Pimpin

Kurt Vile is someone entirely new to me in the music world, and until I heard his song Life Like This, I had never heard of him before. After a few listens that song began to grow on me a bit, and then I became curious.

What else has he got?

And then I found one of the other songs from his latest album, b'lieve i'm goin down, this one called Pretty Pimpin, that I simply thought was a great example of indie sound, uniqueness, and a groove I can definitely get into.

Without sounding corny, the song is pretty pimpin.

It is played with a very simple, but groovy and hooky fingerstyle pattern, and I think this song, unlike Life Like This is a much better example of his musical talent and genius. I like Life Like This for its sheer simplicity of form and arrangement, but Pretty Pimpin, to my mind, is better, and I am not sure why this one didn't make it to the airwaves before the other one did.

Or perhaps it did and I just wasn't paying attention. After all, like I said, I had never heard of Kurt Vile before.

Having dabbled a bit in the indie scene myself, writing my own music, I like music that is not overly mainstream, not overly structured, and that is more like a piece of abstract art that one must see the message of with a discerning, yet keen eye to the underlying message. Kurt Vile manages to keep the song moving along nicely, and you never miss that the verses are really the chorus, it lacks a real bridge, and disobeys the "laws" of what defines great music. Pretty Pimpin stands well on its own as a solid track, and one that can be listened to over and over again, each time finding something new you did not hear before, and always appreciating every subsequent listen more than the former.

It may not be a masterpiece, but the song still fucking rocks!

 
 


Sunday, November 29, 2015

Introduction To The Alternative And Indie Music Corner Blog

Perhaps it is that I was a child of the 80's that my taste in music has forever been a bit eclectic. Even when writing my own music, my style definitely defies the norm, and is more than a bit outside of the mainstream. The 80's at the time could have easily been defined as "mainstream," but certainly for its time it was a style of music that had its own place in time, and of course had its own distinct sounds. Like mullets and multi-colored outfits, the 80's are unmistakably obvious—you know it when you see it, and you know it when you hear it.

From very early on in my childhood I was interested in creating something all my own. Some of my friends probably thought I was a bit of an oddball, spending hours at a time in my own fantasy world of bright lights and adoring fans. I was always singing something, and 90% of the time it was something I made up. Knitting needles and hairbrushes were given new purpose as microphones, and my band was made up of vocalized percussion sets with lyrics of course mixed in.

One of my favorite bands at the time was The Talking Heads. There was something about that sound and certainly their style of music that just drew me in. I was hooked. And of course there was that first video I saw of them, with David Byrne dancing in a typical unusual style against a blue backdrop to Once In A Lifetime. To this day I still enjoy throwing in some Talking Heads music.

The thing is that there is so much great music out there if only you take the time to find it. I like my music interesting and different, rather than simply being spoon fed what is popular or who some radio marketing guy decides should be. And of course nowadays with the Internet, YouTube, Jango, and satellite radio, it's easier than ever to find those bands, signed or not, and hear some very interesting musical talent. Back in its day MySpace was actually a good place to seek out some really interesting and eclectic stuff you'd probably never have otherwise have ever had the opportunity to find. And many bands today actually get their start simply by getting noticed through channels that for artists in the past would have been impossible. Even Justin Bieber, regardless of what you think of him, would never have been discovered had it not been for things he posted on YouTube. If it would have happened anyway, and considering his undeniable talent I think it would have, it would not have been until much later on, and the work to get noticed would have been much harder.

How many great musicians, do you wonder, did we never get to hear from simply because the path to being heard had only one course? How many simply gave up and got jobs in factories or office buildings?

This page is devoted to my view of music. Here I wish to share what I find to be interesting and fresh, both from signed and unsigned bands alike. Here it is about sharing covers, great original new stuff, my own covers and originals, and anything else I think is worth sharing here. I hope you will enjoy whatever journey we wind up on, and if you have any suggestions for me for bands to check out do feel free to comment any time. Or if you would like me to check out your own stuff, I'd be more than happy to see what you've got.

The most important take away here should be that music is about sharing. It is about fun. It is about being different and embracing that. It is about tossing aside the mainstream and making way for enjoying what makes each artist unique and different. It is about letting the fans and the listeners decide who and what ultimately makes the airwaves, and what defines our own "mainstream."